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NASSR/BARS Joint Conference 2022 - New Romanticisms || Tuesday 2nd - Friday 5th August 2022
Registration now open: https://www.nassr.ca/conference_registration
Note that only paid NASSR members can access conference registration. If you're being denied access, it could mean that your membership has lapsed. If you have issues, please do contact Chris Bundock at [email protected] for help.
'New Romanticisms' invites explorations of both the concept of newness in and about the Romantic period and new approaches to Romantic Studies today. The title for the conference also plays on the term 'New Romantics', referring to post-punk bands of the late 1970s and 1980s influenced by Romantic-period aesthetics, especially 'dandy' fashions (roughly equivalent to 'new wave' artists in America). The conference organisers are therefore particularly interested in responses to the call for papers which think about Romantic legacies and receptions in music, theatre, pop culture, and beyond. We would also welcome areas of research distinct from literary and cultural studies, which might include, but is not limited to: art history, material culture, cultural heritage, public engagement, and knowledge exchange.
This conference has been delayed by the COVID-19 pandemic and, therefore, its focus on the new feels more urgent than ever. What does it mean to study Romanticism today? How can Romantic Studies appropriately and effectively respond to current debates about the relevance and future of Higher Education, social justice, climate change, and contemporary culture more generally? Papers reflecting on the pressures on research, teaching, and service intra- or post-pandemic are particularly welcome. The conference aims to be an open, inclusive, accessible, and diverse space for the discussion of newness in Romantic Studies and its legacies and impact today.
The conference will take place in hybrid format, with physical panels, keynotes, and workshops, also available in digital format, taking best practice from online events into the running of the joint conference.
The physical event will take place at Edge Hill University, with Thursday 4th August devoted to an exploration of Liverpool and its Romantic history and legacies. As Liverpool was a hub for both advocates of slavery and abolitionists, as well as radical political agitation more generally from Dissenters to Chartists, papers which respond to the history of slavery and abolition, maritime and radical cultures, and the wider significance of England's North-West on the Romantic period, will also be welcome.
Please submit abstracts of 250 words, panel proposals of 750 words (including details of individual papers plus a rationale for the panel), or innovative presentation formats of 500 words (including, for example, poster presentations, pedagogical workshops, salons, and dramatic and/or musical performance pieces) to [email protected]
Please include an indication of whether your presentation / panel / innovative presentation format is intended to be hosted online (and asynchronous or synchronous).
The 19th international conference of the
Gesellschaft für englische Romantik (Society for English Romanticism) will be hosted
by the Chair of English Literature of the University of Augsburg and held as a residential conference at ‘Haus Sankt Ulrich’ in Augsburg.
Augsburg, September 29 – October 2, 2022
Haus Sankt Ulrich Tagungshotel der Diözese Augsburg Kappelberg 1
D-86159 Augsburg https://www.haus-sankt-ulrich.de
Confirmed keynote speakers: Jeremy Davies (University of Leeds, UK), Dewey Hall (California Polytechnic Pomona, USA), Timothy Morton (Rice University, Houston TX), Manfred Pfister (Freie Universität Berlin, Germany), Kate Rigby (Bath Spa University, UK).
Call for Papers
Romanticism is characterized by a new understanding of nature and environment. Nature does no longer function as a mere purpose-oriented setting, but rather as an affective and emotional context of communication with the observing or experiencing subject. The numerous aesthetic ways in which this dialogical interrelationship between subjective experience and scenic object of nature is captured in Romantic literature / art makes Romanticism a ‘proto-ecological’ movement, and today, in times of a world-wide ecological and environmental crisis, Romanticism’s critical explorations of the complex interdependencies between humankind, nature, the environment and aesthetics seem to be relevant as never before. Scrutinizing Romanticism’s strong affinity towards environmental issues allows for an insight into the fragile and precarious networks between various ecosystems, human agency and (post-)industrial society in the Anthropocene.
This conference aims to address this new understanding of nature inherent to British Romanticism, explore its relevance for the discourse of environmental humanities in the twenty-first century, and also to reconsider the relation between humankind, nature / the environment / ecology and aesthetics in (and through) British Romanticism both in (meta-)theory and practice. With our focus on “Romantic Ecologies”, understood as a wide and plural concept, we invite a multicity of theoretical approaches and readings. This broad conception of ecology may thus encompass political and socio-historical issues, such as the impact of ecology / the environment / biosystems in the contexts of (post)colonialism and (trans)atlantic dialogues alongside societal ideas in the light of a re-evaluation of the relationship between humankind, the environment, sustainability and capitalism. Further focus areas comprise the role of various biosystems together with their (inter)dependencies and symbioses as well as
aspects of non-human agency and materiality. Not least, we aim at revaluating the formal-aesthetic level by encouraging readings and theories that center around the idea of sustainability and regeneration in / as art. This may include questions of autopoiesis, art as renewal (e.g. productive melancholia), sustainability / regeneration of genre(s), or aesthetic sustainability as manifested for example in structures of repetition and difference. We also invite reflections on the teaching of Romantic literature and on its uses and limits in sustainability education.
We invite proposals for papers in English of 20 minutes length. Possible topics include, but are not limited to:
eco-politics: (post)colonial and / or (trans)atlantic perspectives
Romantic concepts of nature, ecology, (post)capitalism and (post)industrialism
Romantic ecologies and ethics
Romantic biosystems and their (inter)dependencies: animal studies, plant studies, urban ecologies, theories and practices of space / place
ecology and materiality
the body: disease, contagion, affect
disease as deconstructive force
beyond (ecocritical) theory: Romantic ecologies in the light of environmental humanities; Romantic meta-ecology; Romantic ecologies and poststructuralism
sustainability and regeneration in aesthetics and art: autopoiesis, imagination, repetition and difference
the sustainability / regeneration of genre(s) and form in Romanticism
approaches to teaching Romantic literature in ecocritical contexts
Abstracts (300 words) for papers proposed should be accompanied by a short biographical note, plus full address and institutional affiliation. Deadline: 15 January 2022.
Prof. Dr. Martin Middeke and PD Dr. David Kerler
University of Augsburg Chair of English Literature Universitätsstr. 10 D-86159 Augsburg Germany
NB: By special agreement, members of NASSR, BARS, SERA, JAER, NARS and the Polish Society for the Study of European Romanticism do not have to become members of the German Society for English Romanticism to take part in this conference – they only pay the regular conference fee.